Angelo Curtolo e il Teatro alle Vigne di Lodi
April 17, 2019Intervista con Angelo Curtolo, direttore artistico del Teatro alle Vigne di Lodi, che il prossimo 3 maggio ospiterà un concerto di Theresia Orchestra
Read MoreRediscovering Michael Haydn: an interview with David Wyn Jones
March 31, 2019Michael Haydn’s fame is now considerably overshadowed by that of his older brother, Franz Joseph Haydn, but he was a prolific composer who in his days was much admired. Find more in the interview with Professor David Wyn Jones
Read MoreMeet Theresia: Lino Mendoza
February 22, 2019“Theresia has a very particular way to bond between the members of the projects: since the beginning you can feel like you are part of a family. “
Read MoreMeet Theresia: Sophie Simpson
February 6, 2019“I like working with Theresia because I have met some wonderful musicians with whom I have so much in common, and who inspire me to think and play in different ways. Above all, I have made some great new friends who I hope to remain in contact with forever. Working regularly with the same group of musicians from all over the world is an opportunity I haven’t had through any other ensemble.”
Read MoreMeet Theresia: Martyna Jankowska
January 30, 2019Incontriamo la violoncellista polacca Martyna Jankowska che ci racconta passato, presente e futuro della sua passione per la musica
Read MoreMeet Theresia: Gemma Longoni
December 13, 2018“Fare la spalla d Theresia è stata un’esperienza nuova, che mi ha costretta a mettermi in gioco e mi ha fatto diventare più forte. Ora sono spesso chiamata a fare la spalla anche di altri ensemble orchestrali.”
Read MoreOlga Pashchenko: “Theresia is real musical life”
December 10, 2018Projects like Theresia give to young musicians the possibility to grow and develop their skills in a very lively environment. It is a great opportunity to get precious experience because this is actually real musical life.”
Read MoreAlfredo Bernardini e il felice equilibrio dell’orchestra
December 7, 2018Alfredo Bernardini: “Theresia è un’occasione importante per intraprendere una carriera di musicisti specializzati nell’esecuzione con strumenti storici e per fare esperienza ed imparare cose che difficilmente si riescono ad imparare in conservatorio: come comportarsi in orchestra, sia musicalmente, sia tecnicamente, sia socialmente.”
Read MoreMeet Theresia: Alaia Ferran
December 3, 2018” In Theresia, I have met many colleagues with whom I still play inside and outside the orchestra. I have met great musicians who are the professionals of tomorrow whom I consider a very valuable contact, professionally and humanly speaking.”
Read MorePaolo e Alberto Grazzi, la responsabilità dell’interpretazione
September 16, 2018Intervista con Alberto e Paolo Grazzi, tutor dell’Accademia per fiati di Theresia
Read More