Tag: <span>CPE Bach</span>

Enchanting Classicism

November 13, 2015

Let’s deepen the program of the next concerts thanks to the listening guide by Paolo Motta

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Meet Theresia: Assen Boyadjiev (en)

September 10, 2015

translation by: Charlotte Michi Assen Boyadjiev is the second soloist that played with Theresia this summer: he played the fortepiano, Olga Pashchenko the harpsichord. Also Assen is an acquaintance of Theresia, he took part at the Premio Ferrari in 2012, winning the Second Place and the “Theresia” Special Price for the best performance of a concert written by Mozart. 34 years, he […]

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Meet Theresia: Olga Pashchenko (en)

September 9, 2015

translation by: Charlotte Michi Olga Pashchenko is the harpsichordist that has been soloist with Assen Boyadjiev in the Concert for harpsichord, fortepiano and orchestra by Carl Philip Emanuel Bach we performed this summer: it was not the first time we met her, she played with Theresia in 2012, during the final of Premio Ferrari. After […]

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Theresia a Dobbiaco

August 22, 2015

Uno sguardo al concerto nell’Auditorium Mahler del Centro Culturale Grand Hotel di Dobbiaco

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Meet Theresia: Assen Boyadjiev

August 19, 2015

Incontriamo Assen Boyadjiev, protagonista al fortepiano nel Doppio Concerto di CPE Bach

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Meet Theresia: Olga Pashchenko

August 19, 2015

Intervista a Olga Pashchenko, solista con Theresia

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The summer of Theresia: what are they going to play?

August 15, 2015

Insights on the music that TYBO will perform in Bozen and Toblach

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Theresia goes live on Twitter

August 13, 2015

In diretta su Periscope le lezioni in cui Chiara Banchini approfondirà il “Trattato sull’Arte di Suonare gli Strumenti a Tastiera” di C.P.E. Bach

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Interview with Chiara Banchini

August 3, 2015

“I love Boccherini, I feel good conducting and performing his music, because he’s enjoyable. Both me and the orchestra manage without any problem these typical long italian-like phrases.”

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Chiara Banchini e CPE Bach, l’intellettuale della musica

July 29, 2015

«CPE Bach era un intellettuale, e la sua musica, particolarmente intensa, parla una lingua speciale. La sua è una sensibilità difficile, dura, con momenti di grande bellezza in cui però non si lascia mai andare: grandi contrasti, forti accentati e piani malinconici che si alternano quasi di battuta in battuta.»

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